Perhaps, after all, the best way of talking about what you love is to speak of it lightly
– Albert Camus
Aase Texmon Rygh (b 1925), found her artistic vision at an early point, remaining faithful to it throughout her career. With exceptionally strong determination, she arrived at a simplified and abstract form of visual expression at a time when naturalistic sculpture still had a dominant place in Norway.
Much like British contemporaries Barbara Hepworth and Henry Moore, Aase Texmon Rygh explored the shape of the abstracted and simplified human figure in the 1950s and 1960s. Over the course of several years she developed an abstract language where motion and gesture played a central part. Later in her career she left the human figure behind altogether, and developed a purely abstract formal language as she became interested in concepts of stability…
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Here at Flavorpill, we’re great fans of artistic ephemera, endlessly fascinated by everything from the journals of creative geniuses to postcards from famous authors. After all, once you’re famous, there’s just no way to keep your private papers out of the hands of the curious masses — not that we’re complaining: sometimes, the best way to learn about someone is to see the way they correspond to those closest to them. To that end, we’ve collected a few beautiful letters from great artists to their friends and family, each one as visually evocative as you’d expect. Take a look after the jump, and if we’ve missed a stellar letter, send it our way in the comments!
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